Liam Sarsfield
Liam heads Pixel Union for MetaLab. He has a poetry blog, a motorcycle and a video of him riding it.
This is where he blogs mostly art and politics. Follow him on Twitter.
"Sarsfield is short, though you wouldn’t notice at a distance. He has long, slim features and talks with
well-articulated confidence. He’s thin, dresses in black, and wears a sinister smile.
He looks like a poet." — Mosaic Collective
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Catherine St, Vic West. 2012.
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Edward St, Vic West. 2012.
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(Source: anotherwayoftelling)
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We chased deer today
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NYT Blog: New Books for the Old Internet
Two talented photographers whom I admire greatly, Jennilee Marigomen and Ali Bosworth, get some love from the NYT.
The New York Times features Papa Bobo’s photography. Heads Explode.
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(Source: vancouverislandtime, via tomstuart)
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Francesco Brivio. Care of Steeped.
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Foul Bay, Victoria. 2012.
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James Brown live at the Apollo. 1968. One of the most incredible performances ever filmed.
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alternative titles: “Nationalized Oil Produces Utopian Institutions— Washed Up American Journalist is Shocked” or “American Journalist Skeptical of World’s Only Decent News Organization.”
— don’t worry, I am not saying that monarchies are good. But I am saying that this man has some great thoughts about what the hell government and indeed patriotism should be about. He’s only produced Aljeezera, after all.
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Obama’s pledge not to prosecute American citizens using the National Defense Authorization Act—which allows for the indefinite detention of US citizens by the military—has done little to assuage the law’s critics. Journalist Chris Hedges has filed suit against the Obama administration seeking judicial review. “[The NDAA] overturns 200 years of law, which has kept the military out of domestic policing,” Hedges says.
Good ol’ Chris Hedges at it again.
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There are three kinds of lies: lies, damn lies and statistics.
Thomas Carlyle
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